An artisan label from a home studio

We areUnbleachedUnhurriedUnbound

Kora. Saadgi. Soul.

Quiet luxury in thread and form. Indian silhouettes in timeless shades, cut from unbleached cotton and linen and finished by hand.

Walk the rail Meet Arti

The rail.
Every piece, on its hanger.

Scroll to move along the rail. Hover a hanger to lift it, click to open.Swipe along the rail. Tap a piece to open.

Shop by shape

Three ways to wear kora.

Pistachio balloon-sleeve shirt on a hanger

ShirtsTwelve pieces

Maroon stripe sleeveless dress on a hanger

DressesSeven pieces

KaftansFour pieces

Made slowly, by hand, in cloth that softens the longer you live in it.

Kora is cotton left as it came off the loom. Saadgi is the plain kind of simplicity. Soul is what stays after the trend has gone.

The cloth

Kora, left alone.

Handloom cotton and linen bought unbleached and undyed, so the colour is the colour of the fibre. It arrives stiff and softens with every wash. The slubs and the uneven weave are the point; two pieces are never identical.

The hand

Stitched, not printed.

Every sprig, cherry and flower on the rail is embroidered by hand, one placket at a time. Buttons are coconut shell or wood. Prahlad Bhai, who has cut cloth for thirty years, makes each pattern and sews it in the studio.

The cut

Room to move.

Boxy shirts, balloon and kimono sleeves, kurtas cut straight, kaftans cut wide. Many pieces are one size and fit XS to XL because the shape does the work, not the sizing. Made to be lived in, not stood in.

0103

Coconut-shell buttons on unbleached kora linen

Hand-embroidered green sprig on oatmeal linen

Light through schiffli cutwork embroidery

The cloth
Kora, *left alone.*
Handloom cotton and linen bought unbleached and undyed. It arrives stiff and softens with every wash. Two pieces are never identical.

The hand
Stitched, *not printed.*
Every sprig and flower is embroidered by hand. Buttons are coconut shell or wood. Prahlad Bhai cuts and sews each piece in the studio.

The cut
Room to *move.*
Boxy shirts, balloon sleeves, kurtas cut straight, kaftans cut wide. Many pieces are one size because the shape does the work.

Arti Kapur in the Schiffli Cutwork Shirt at the studio rail

The woman behind it

They always said I had style. So I sewed it into something real.

Korra Vastrra began in Arti Kapur's home. Friends kept asking where her clothes came from, and the honest answer was that she made them. The first collection opened in October 2025 with a rail of shirts, kaftans and dresses in unbleached cotton. Two exhibitions later, the rail is longer and the idea has not changed: Indian silhouettes, timeless shades, nothing hurried.

Style is a reflection of who you are. How comfortable, how confident, and most importantly, feeling like yourself.Arti Kapur

From the studio table

Prints from Exhibition 2.0.

August 2026. Six of the twenty-three, photographed on their hangers the morning the rail went up.

Stripe and cutwork shirt hanging in the studio — Stripe and cutwork

Teal wooden-button shirt hanging in the studio — The teal one

Kora V-neck tiered kaftan hanging in the studio — Kora kaftan

Pink lace-yoke tiered top hanging in the studio — Lace yoke

Olive embroidered kurta hanging in the studio — Olive kurta

Smocked-yoke dress hanging in the studio — Smocked yoke

Exhibition 3.0

Come and try it on.

We open the studio rail a few times a year and send the date and the address to anyone who asks. Pieces ordered here are made to order and delivered within India in two to three weeks.

Ask for the location @korra.vastrra

NextExhibition 3.0, date to be announced. Follow the Instagram for the reveal.

LastExhibition 2.0, 21 to 23 August 2026

First look4 October 2025, the first collection

OrdersThrough the bag on this page, or a message on Instagram

Kora. Saadgi. Soul.

The rail.Every piece, on its hanger.

Three ways to wear kora.